Periodization Hierarchy, Organizational Paradigms And Corporate Aesthetics As Fibonacci Section; Golden Angle For Critical Spiral Reflectivity, Probe To Logic And Reason

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Rabia Shahzad , Syed Fahad Ali , Dr Athar Marwat

Abstract

Epochs-making events of history escalated the paradigms of pedagogical writings of the organizational realm and served as a heuristic tool for the development of theories. The centre of this paper is to erect the bridge linking all junctures of ancient times and transfigured anatomy of organizational slants. The first segment of the paper seeds the soil of contents to our arguments principally for the readers who are entering the realm of chronological demarcations for the first time. Pithy accounts of organizational theories are delineated regarding how paradoxical pillars of faiths towards all institutions disoriented the entire organizational domains and perspectives and bestow the discourse with three Centrum themes. Scholars spared no effort to expound on the introduction of the Fibonacci family and its inexplicable effects in the patterns of nature, music, architecture, and painting even in the human body. This pedagogical attempt proffers matchless currency by enunciating the expression of golden Fibonacci numbers; golden Fibonacci recursive formula as a metaphorical delineation to modernism, symbolic and post-modernist organizational theories. The golden rectangle comparison to perceptions of four research paradigms; the golden Fibonacci ratio concerning fathoming the ontological and epistemological paradigms; the golden angle exemplification to decipher the reflective organizations; and the golden spiral allegorical attempt at reflective organizations is the eminent pronouncement of this paper.  Prestigious contemporary constituent; corporate aesthetic reviews engrossed the contemplation of organizational scientists during the last decade. In this research, we ventured to comprehend corporate aesthetic capital over instrumental capital with the supremacy of organizational "crisis of representation".

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