Social Representation In Ayla Film: The Daughter Of War (Charles Sanders Peirce Semiotic Analysis)

Abstract

This study aims to reveal the sociology of literature and the structure of signs in the film Ayla: The Daughter of War. The research method used in this study is a qualitative research approach with semiotics of Charles Sander Peirce and sociology of literature. The theoretical aspects that are the focus of this research are the theory of signs and meanings of film categories and semiotic analysis of films. Based on this research, it can be concluded that there are structural cinematic signs in the film Ayla: The Daughter of War as well as several links in the film with social reality that make the story in the film stronger with social relations. The results found in this study are: (1) Social representation in the film Ayla: The Daughter of War is the meaning of social relations; (2) The form of delivery of the sign structure used by the director shows the existence of structural cinematic signs in the film Ayla: The Daughter of War.