Socio-Political Realities Of India In The Writings Of Rohinton Mistry

Abstract

Literature can pique students' enthusiasm in language learning by providing rich and unique resources, making ideas appear to be clear, and unwittingly completing the social occasion of language, the introduction of sentence structure, and the development of language awareness. While learning to comprehend, the ability to produce language also develops. Language skill improves as literary literacy improves, moving from basic comprehension and enunciation to substantial appreciation and literary verbalization. Rohinton Mistry's works are always imbued with an Indian sense of diversity. Mistry paints a flamboyant portrait of a community marked by restrictive traditions, financial constraints, racial and severe tensions, and internal mental problems. As a result, India should be produced not just by those journalists who never left, but also by her stranded survivor essayists who "build fictions, not real urban regions or cities, but impalpable ones, whimsical nations." He tries to change the authentic setting of his country in his works on a regular basis. Creator pays little attention to the creative mind's work, dismissing it as self-indulgence and self-entertainment. Rohinton Mistry belongs to a group of artists who value realism over fantasy. This is due to their feelings of social obligation and fluctuating energy levels. As a result, the fundamental goal of this research is to highlight the socio-political realities of India that Rohinton Mistry has addressed in his writings.